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“The Bondsman” Season 1 web series blends the drama and horror subgenres. It was helmed by directors Sanaa Hamri, Thor Freudenthal, Lauren Wolkstein, and Catriona McKenzie, with the screenplay crafted by Erik Oleson, Grainger David, and Satinder Kaur. The series is brought to life by Medina Films, Marker 96, CrimeThink, Blumhouse Television, and Amazon MGM Studios, under the production of Alex Shevchenko. Released on April 3, 2025, on Amazon Prime Video, “The Bondsman” Season 1 spans a total runtime of 3 hours and 56 minutes across its episodes.
The Bondsman 2025 Web Series Overview

Series Name | House Of David Season 1 Web Series |
Original Language | English |
Spoken Language | Hindi |
Digital Release Date | 3 April 2025 |
Runtime | 3 hour and 56 minutes |
Country | United States |
Genres | Horror Drama |
Director | Sanaa Hamri, Thor Freudenthal, Lauren Wolkstein, Catriona McKenzie |
Producer | Alex Shevchenko |
Season | 01 |
Total Episodes | 08 |
The Bondsman 2025 Web Series Screenshot



The Bondsman 2025 Web Series Star Cast
Actor | Character |
---|---|
Kevin Bacon | Hub Halloran |
Jennifer Nettles | Maryanne Dice |
Damon Herriman | Lucky Callahan |
Jolene Purdy | Midge Kusatsu |
The Bondsman 2025 Web Series Trailer
The Bondsman 2025 Web Series Review
The series kicks off with a bang: Hub, a weathered antihero with a troubled past, meets a grisly end only to be dragged back to life with a hellish mission—track down escaped demons using a quirky “Pot O’ Gold” guidebook and faxed orders from Satan himself. Kevin Bacon shines as Hub, delivering a gruff yet magnetic performance that balances deadpan humor with a hint of vulnerability. His chemistry with Beth Grant, who plays his razor-witted mother Kitty, is the heart of the show, grounding the absurdity with moments of unexpected warmth. Grant’s Kitty is a firecracker, often stealing the spotlight with her biting one-liners and fierce maternal edge.
The cast is rounded out by Jennifer Nettles as Hub’s ex-wife Maryanne and Damon Herriman as his rival Lucky, though their roles feel more functional than fleshed-out. The series leans into a monster-of-the-week vibe, reminiscent of “Evil Dead” or “Supernatural,” with plenty of gore and practical effects that horror fans will appreciate—though some CGI demons look a bit shaky. The horror is gleefully over-the-top, but it’s the family drama that tries to carry the emotional weight, often falling short due to underdeveloped subplots and a rushed 30-minute-per-episode pace.
The world-building is a mixed bag. The idea of a bureaucratic Hell with corporate lingo and oddball rules is fresh and funny, but it doesn’t evolve much beyond the initial setup. By the finale, the stakes balloon into generic “save the world” territory, diluting the quirky charm of Hub’s smaller-scale demon-chasing gigs. The writing is sharp in bursts—especially in Hub and Kitty’s banter—but struggles to juggle its tonal ambitions, wavering between campy splatterfest and earnest redemption story without fully nailing either.