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Released in theaters today, April 25, 2025, “Jewel Thief” is a Hindi Action-Drama. The film was directed by Kookie Gulati and Robbie Grewal, written by Sumit Arora, and produced by Siddharth Anand and Mamta Anand under the Marflix Pictures banner. Its runtime is 1 hour and 56 minutes.
Jewel Thief 2025 Movie Overview
| Movie Name | Jewel Thief 2025 Movie |
| Original Language | Hindi |
| Spoken Language | Hindi |
| Release Date | 25 April 2025 |
| Runtime | 1 hour and 56 minutes |
| Country | India |
| Genres | Action Drama |
| Director | Kookie Gulati, Robbie Grewal |
| Producer | Siddharth Anand, Mamta Anand |
Jewel Thief 2025 Movie Screenshot
Jewel Thief 2025 Movie Star Cast
| Actor | Character |
|---|---|
| Saif Ali Khan | Rehan Roy |
| Jaideep Ahlawat | Rajan Aulakh |
| Nikita Dutta | Farah |
| Kunal Kapoor | Vikram Patel |
Jewel Thief 2025 Movie Trailer
Jewel Thief 2025 Movie Review
The narrative of Jewel Thief: The Heist Begins (2025) takes bold cinematic liberties, delivering a rollercoaster of twists and turns, though curiously, the opening credits omit the story writer’s name. David Logan’s screenplay gains momentum in the second half, keeping viewers hooked with its high-energy pacing. However, the script falters by neglecting key plot holes that undermine its coherence. Sumit Arora’s dialogues are serviceable, with a handful of witty one-liners—particularly nods to the 1967 Jewel Thief and Saif Ali Khan’s royal heritage—eliciting chuckles.
Directors Kookie Gulati and Robbie Grewal craft an unabashedly entertaining film, positioning it alongside the likes of Dhoom and Fast & Furious. From the outset, they signal that logic takes a backseat, inviting audiences to embrace the ride. When viewers suspend disbelief, the film delivers thrills. Standout moments include Rehan’s clever deception of officers Gaurav Chaddha (Chirjyot Singh Kohli) and Shekhar (Vinay Sharma), which sets a lively tone, and the museum sequence that sustains engagement. The second half shines brightest, with the innovative aircraft episode likely to captivate audiences for its novelty.
However, the film occasionally veers into absurd territory. A prince opting for a commercial flight due to a private jet malfunction—without his country sending a backup for him and the priceless diamond—defies reason. Equally implausible is Vikram’s obliviousness to a critical change in plans, despite his meticulous tracking of the case. His character, the film’s most clichéd element, is predictably ineffective, doomed to fail no matter his efforts. Worse, Vikram operates with unchecked autonomy, jetting across borders without apparent oversight, which strains credibility. While the aircraft sequence is gripping, the addition of the UK High Commission subplot overcomplicates the third act, diluting its impact. Finally, the antagonist’s defeat feels anticlimactically rushed, undermining the stakes.
