किसी को देखने के लिए टेलीग्राम को ज्वाइन करें
“Purushothamudu” (Hindi dubbed version), a 2025 film, falls within the drama and action subgenres. Directed and written by Ram Bhimana, it is presented by Shree Sridevi Productions and produced by Dr. Ramesh Tejawat and Prakash Tejawat. The movie was released on OTT platforms on March 22, 2025, with a runtime of 2 hours and 27 minutes.
Purushothamudu 2025 Movie Overview
| Movie Name | Purushothamudu Movie |
| Original Language | Telugu |
| Spoken Language | Hindi |
| Release Date | 22 March 2025 |
| Runtime | 2 hour and 27 minutes |
| Country | India |
| Genres | Drama Action |
| Director | Ram Bhimana |
| Producer | Dr. Ramesh Tejawat, Prakash Tejawat |
Purushothamudu 2025 Movie Screenshot
Purushothamudu 2025 Movie Star Cast
| Actor | Character |
|---|---|
| Raj Tarun | Rachit Ram |
| Hassini Sudhir | Ammulu |
| Ramya Krishna | Vasundhara, Raghu Ram’s wife and Rachit’s aunt |
| Brahmanandam | Police officer Naidu |
| Kausalya | Rachit’s mother |
| Brahmaji | Lawyer |
| Praveen | Satthi, Ammulu’s friend |
Purushothamudu 2025 Movie Trailer
Purushothamudu 2025 Movie Review
The plot follows Rachit Ram, a London-educated heir to a corporate empire, who returns to India expecting to take over as CEO of his father’s (Murali Sharma) company. His aunt Vasundhara (Ramya Krishnan), a major shareholder, invokes a bylaw forcing him to live as an ordinary man for 100 days to prove his worth.
Relocating to a village near Rajahmundry, Rachit grapples with rural life, falls for florist Ammulu, and tackles local issues like farmer exploitation and water scarcity. The narrative aims to echo the Ramayana—Rachit as a modern Rama in exile—culminating in a moral lesson about duty and identity tied to the title, “Purushothamudu” (a noble man).
Critically, the film sits at a lukewarm 2.5 to 3 out of 5 across reviews. Raj Tarun’s earnest performance is a highlight, balancing charm and conviction, especially in action sequences and emotional beats. Hasini Sudhir brings glamour and a decent romantic foil, though her role lacks depth.
The supporting cast shines—Ramya Krishnan’s authoritative presence, Prakash Raj’s gravitas in the climax, and Brahmanandam’s comedic timing (despite underuse) add value. Visually, PG Vinda’s cinematography offers vibrant, almost overly bright frames, while Gopi Sundar’s music is catchy but forgettable, save for a few lyrical highs.
