किसी को देखने के लिए टेलीग्राम को ज्वाइन करें
“Revelations,” a 2025 South Korean film, falls within the drama and thriller subgenres. Directed by Yeon Sang-ho, who co-wrote the screenplay with Choi Gyu-seok, the movie is presented by Wow Point and Esperanto Filmoj, with Yoomin Hailey Yang as producer. It premiered in theaters on March 21, 2025, and runs for 2 hours and 2 minutes.
Revelations 2025 Korean Movie Overview
| Movie Name | Revelations Movie |
| Original Language | Korean |
| Spoken Language | Hindi |
| Release Date | 21 March 2025 |
| Runtime | 2 hour and 02 minutes |
| Country | South Korea |
| Genres | Drama Thriller |
| Director | Yeon Sang-ho |
| Producer | Yoomin Hailey Yang |
Revelations 2025 Korean Movie Screenshot
Revelations 2025 Korean Movie Star Cast
| Actor | Character |
|---|---|
| Ryu Jun-yeol | Pastor Min-chan |
| Shin Min-jae | Yang-rae |
| Kim Joo-ryoung | Min-chan’s Wife |
| Lee Sung-min | Church Elder |
Revelations 2025 Korean Movie Trailer
Revelations 2025 Korean Movie Review
The plot centers on two intertwined characters: Min-chan, a pastor who believes a divine revelation has tasked him with punishing Kwon Yang-rae (Shin Min-jae), an ex-convict he suspects of abducting his son, and Yeon-hui, a detective haunted by visions of her deceased sister, who pursues the same missing person case.
What unfolds is a tense, character-driven narrative that probes the psychological toll of belief—whether religious or personal—and the blurred lines between justice and vengeance. The film’s climax, featuring a gripping one-shot confrontation, brings their stories to a head, leaving viewers with lingering questions about morality and interpretation.
Critically, “Revelations” has garnered mixed-to-positive reception. Its strengths lie in its atmospheric production and standout performances—Ryu Jun-yeol’s descent from calm clergyman to menacing zealot is chilling, while Shin Hyun-been’s portrayal of grief and determination anchors the emotional core. The cinematography, with its rain-soaked settings and haunting shadows, enhances the mood, though some argue it lacks the visual flair of Yeon’s earlier blockbusters.
Reviews praise its thematic depth, tackling religious fanaticism, guilt, and the human tendency to see meaning in chaos (a concept tied to apophenia, subtly woven into Min-chan’s arc). However, the pacing draws criticism—its two-hour runtime feels sluggish at times, and the narrative can be convoluted, especially in the first act, as it juggles multiple perspectives without fully integrating them.
